Creative Labour

Regular price €186.00
A01=David Hesmondhalgh
A01=Sarah Baker
affective labour
Author_David Hesmondhalgh
Author_Sarah Baker
Autonomist Marxism
autonomy
bad
Bad Work
Casting Team
Category=JBCC
Category=JBCT
Category=JHB
Category=KJ
Category=NH
Contemporary Societies
Creative Autonomy
creative economy research
Creative Industries Policy
Creative Industries Policy Discourse
Creative Labour
Creative Work
cultural
Cultural Industries
Cultural Industry Job
Cultural Industry Organisation
cultural production
De Peuter
EMAP
Emotional Labour
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Good Creative Work
Good Life
Immaterial Labour
industries
industry
Junior Workers
labour conditions in media sectors
magazines
media industry careers
Men's Magazine
mens
Men’s Magazine
policy
Reality Tv Format
Reality Tv Show
sociology of work
Talent Show
UK Hip Hop
UK Television
work
workers
workplace autonomy

Product details

  • ISBN 9780415572606
  • Weight: 690g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Oct 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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What is it like to work in the media? Are media jobs more ‘creative’ than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies.

Through its close analysis of key issues – such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realization, emotional and affective labour, self-exploitation, and how possible it might be to produce ‘good work’ Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural change. In addition, the book undertakes an extensive exploration of the creative industries, spanning numerous sectors including television, music and journalism.

This book provides a comprehensive and accessible account of life in the creative industries in the twenty-first century. It is a major piece of research and a valuable study aid for both undergraduate and postgraduate students of subjects including business and management studies, sociology of work, sociology of culture, and media and communications.

David Hesmondhalgh teaches in the Institute of Communications Studies at the University of Leeds, where he is Professor of Media and Music Industries, Director of Research, and Head of the Media Industries Research Centre (MIRC). His publications include The Cultural Industries (2nd edition, 2007).

Sarah Baker is Lecturer in Cultural Sociology at Griffith University, Australia. She has previously held research fellowships at The Open University and University of Leeds, UK, and the University of South Australia. She is the author of numerous refereed journal articles and book chapters.