Creative Research in Music

Regular price €59.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Anniversary
arts reseearch
Audio Excerpts
Australia
Australian National Maritime Museum
Baroque
Bass Clarinet
Category=AV
Category=JNM
Category=JNU
Clip
creative research
creativity
Dim
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Follow
Gamelan
Global music industry
Informed practice
ISME
Local Traditional Musics
Makeup
Mozart
Music Education
music pedagogy
music research
National Library
NSW
Oceania
Pauses
performance
performance practice
Phnom Penh
Reborn
RS Cell
Siam
Singapore
Smooth
Southeast Asia
Thailand
Tour
Transcendence
Transform music pedagogy
Vivaldi
Western Music
Young Men

Product details

  • ISBN 9780367231354
  • Weight: 600g
  • Dimensions: 178 x 254mm
  • Publication Date: 30 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Creative Research in Music explores what it means to be an artistic researcher in music in the twenty-first century. The book delineates the myriad processes that underpin successful artistic research in music, providing best practice exemplars ranging from Western classical art to local indigenous traditions, and from small to large-scale, multi-media and cross-cultural work formats. Drawing on the richness of creative research work at key institutions in South-East Asia and Australian, this book examines the social, political, historical and cultural driving forces that spur and inspire excellence in creative research to extend and to cross boundaries, to sustain our music industry, to advocate for the importance of music in our world, and to make it clear that music matters.

In the chapters, our authors present the ideas of informed practice, innovation and transcendence from diverse international perspectives. Each of these three themes has an introductory section where the theme is explored and the chapters in that section introduced. Taken as a whole, the book discusses how the themes in combination, with reference to the authorial group, are able to transform music pedagogy and performance for our global and complex world.

Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Anna Reid is Professor of Music at the University of Sydney and Dean of the Sydney Conservatorium of Music.

Neal Peres Da Costa is Professor of Historical Performance and Associate Dean of Research at the Sydney Conservatorium of Music.

Jeanell Carrigan is Associate Professor in Collaborative Piano at the Sydney Conservatorium of Music.