Creole Clay

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A01=Patricia J. Fay
Age Group_Uncategorized
Age Group_Uncategorized
Anglophone Caribbean
Antigua
Author_Patricia J. Fay
automatic-update
Barbados
Caribbean culture
Caribbean potters
Category1=Non-Fiction
Category=ACB
Category=AFP
Category=AGA
Category=HBJK
Category=NHK
Category=WFN
Ceramic traditions
COP=United States
Creole
Creole Clay: Heritage Ceramics in the Contemporary Caribbean
Delivery_Delivery within 10-20 working days
Emancipation
eq_art-fashion-photography
eq_bestseller
eq_crafts-hobbies
eq_history
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Guyana
Heritage production
history
Jamaica
Language_English
Living heritage
Living potters
Nevis
PA=Available
Price_€20 to €50
PS=Active
Saint Lucia
Self-sufficient communities
softlaunch
Tourist economies
Trinidad
West Indian
West Indies

Product details

  • ISBN 9780813064659
  • Weight: 1185g
  • Dimensions: 203 x 251mm
  • Publication Date: 30 Sep 2019
  • Publisher: University Press of Florida
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Beautifully illustrated with richly detailed photographs, this volume traces the living heritage of locally made pottery in the English-speaking Caribbean. Patricia Fay combines her own expertise in making ceramics with two decades of interviews, visits, and participant-observation in the region, providing a perspective that is technically informed and anthropologically rigorous. Through the analysis of ceramic methods, Fay reveals that the traditional skills of local potters in the Caribbean are inherited from diverse points of origin in Africa, Europe, India, and the Americas.

At the heart of the book is an in-depth discussion of the women potters of Choiseul, Saint Lucia, whose self-sufficient Creole lifestyle emerged in the nineteenth century following the emancipation of plantation slaves. Using methods inherited from Africa, today's potters adapt heritage practice for new contexts. In Nevis, Antigua, and Jamaica, related pottery traditions reveal skill sets derived from multiple West and Central African influences, and in the case of Jamaica, launched ceramics as a contemporary art form. In Barbados, colonial wheel and kiln technologies imported from England are evident in the many productive clay studios on the island. In Trinidad, Hindu ritual vessels are a key feature of a ceramic tradition that arrived with indentured labor from India, and in Guyana potters in both village and urban settings preserve indigenous Amerindian culture.

Fay emphasizes the integral role relationships between mothers and daughters play in the transmission of skills from generation to generation. Since most pottery produced is intended for domestic use as cooking pots, serving vessels, and for water storage, women have been key to sustaining these traditions. But Fay's work also shows that these pots have value beyond their everyday usefulness. In the process of forming and firing, the diverse cultural heritage of the Caribbean becomes manifest, exemplifying the continuing encounter between old and new, local and global, and traditional and contemporary.

Patricia J. Fay is professor of art at Florida Gulf Coast University.

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