Crisis as Form

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A01=Peter Osborne
Adorno
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Art Museums
Art theory
Author_Peter Osborne
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Category1=Non-Fiction
Category=ABA
Category=AC
Category=ACXJ
Category=AGA
Category=HPCF7
Category=QDHR7
Contemporary art
COP=United Kingdom
Crisis
Critical theory
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Duchamp
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eq_isMigrated=2
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eq_non-fiction
Form
Language_English
Mediality
PA=Temporarily unavailable
Philosophy of art
Price_€20 to €50
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softlaunch
Time

Product details

  • ISBN 9781839763625
  • Weight: 253g
  • Dimensions: 153 x 234mm
  • Publication Date: 27 Sep 2022
  • Publisher: Verso Books
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides. These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland. The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art's own constitutive crisis of form.
Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy, Kingston University London. His books include The Politics of Time, Anywhere or Not At All: Philosophy of Contemporary Art and The Postconceptual Condition.

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