Critical Approaches to Horror Comic Books

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adaptation
Body Horror
Captain America
Category=DSB
City of Sorrows
comic books
Comics Code Authority
comics studies
comics theory
Contemporary Society
Creepy
DC Comics
Dense
Dylan Dog
EC Comic
EC Comics
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
existential philosophy
Extraterrestrial
Fairy Tale
Fairy Tales of Emily Carroll
Feeding Ground
Franken-Castle
gender and horror
genre studies
George A. Romero Vampires Zombies
graphic novels
Horror
Horror Comic Books
Horror Comics
Horror Genre
interdisciplinary horror comics research
Junji Ito Tomie
Juvenile Delinquency
Kaine Endorphins Between Life and Death
La Movida
Lily Renee The Werewolf Hunter
Marguerite Bennett Ariela Kristantina InSEXts
Marvel
Marvel Universe
Monster Hunters
Romero's Work
Show's End
Show’s End
sociocultural analysis
Superhero Genre
Supernatural Horror
Tanabe Gou Manga Adaptations of H.P. Lovecraft
The Willows by Algernon Blackwood
TNT
Toe Tags
transmedia adaptation
Transmedia Storytelling
Uncanny X-Men
Vertigo
Vice Versa
Violate
visual culture studies
Young Man
Zombillenium

Product details

  • ISBN 9781032195704
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space.

Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States.

One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.

John Darowski is a PhD candidate in Comparative Humanities at the University of Louisville, USA. He has edited an essay collection on Superman adaptations (2021) and has published several essays on the history of superheroes.

Fernando Gabriel Pagnoni Berns (PhD) works at the Universidad de Buenos Aires (UBA), Argentina. He teaches courses on international horror films and has authored a book about Spanish horror TV series Historias para no Dormir (2019) and has edited a book on James Wan's films.