a critical cinema sequel
A01=Scott MacDonald
andrew noren
anne robertson
anne severson
anthony mccall
Author_Scott MacDonald
bruce baillie
Category=ATFA
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film and television
film criticism
film culture
film fans
film history
film studies
gender and sexuality
gender theory
godfrey reggio
independent filmmakers
james benning
john lennon
jonas mekas
laura mulvey
lizzie borden
media studies
micheal snow
movie criticism
peter watkins
politics
robert breer
ross mcelwee
su friedrich
trinh t minh ha
women filmmakers
yoko ono
yvonne rainer
Product details
- ISBN 9780520079182
- Weight: 680g
- Dimensions: 156 x 234mm
- Publication Date: 26 Oct 1992
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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This sequel to "A Critical Cinema" offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Scott MacDonald, editor of A Critical Cinema: Interviews with Independent Filmmakers (California, 1988), has written for Film Quarterly, October, Afterimage, Wide Angle, and Cinema Journal. He is Professor of English at Utica College in Utica, New York.
