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Critical Cinema 4
A01=Scott MacDonald
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Author_Scott MacDonald
autobiography
biography
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chantal akerman
chuck workman
cultural studies
editor
ellen spiro
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female filmmaker
film criticism
film editing
film editor
film history
filmmaking
filmmmakers
gender
harun farocki
home videos
independent cinema
interviews
iran
jill godmilow
jim mcbride
memoir
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our african journey
p adams sitney
peter forgacs
peter kubelka
political documentary
profile
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shirin neshat
stan brakhage
television documentarian
video opera
Product details
- ISBN 9780520242715
- Weight: 544g
- Dimensions: 152 x 229mm
- Publication Date: 03 Jan 2005
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman.
This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgacs about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume.
Scott MacDonald is the author of the three previous volumes of A Critical Cinema and The Garden in the Machine: A Field Guide to Independent Films about Place (2001), all from California.
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