Critical Design in Japan

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A01=Ory Bartal
Author_Ory Bartal
Avant-garde
Category=AGA
Category=AKT
Category=JBCC2
Comme des Garcons
Critical design
Digital design
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Japan
Material culture
Mujirushi Ryohin
Postmodern design
Social design
Visual culture

Product details

  • ISBN 9781526139979
  • Weight: 753g
  • Dimensions: 170 x 240mm
  • Publication Date: 03 Jul 2020
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of ‘Japanese culture’. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
Ory Bartal is Head of the Department of Visual and Material Culture at Bezalel Academy of Arts and Design, Jerusalem

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