Critical Dictionary of Film and Television Theory

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aesthetics
ANGELO
audience analysis
Cambridge
Cambridge University
Category=ATFA
Category=ATJ
Category=GBC
Category=JBCC
Category=NH
cinema
classical
Classical Hollywood Cinema
Collapses
critics
cultural representation
dialectical
Dialectical Montage
Embraced
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist
Feminist Film Critics
Guy
Hold
Hollywood
Hollywood Cinema
Independent
Judgements
Live
Main
marxist
Marxist Aesthetics
media theory
MIT
MIT Press
montage
narrative structures
Operas
queer
screen studies
Soap
Strong
Studio
Tabloid
Television Systems
theoretical approaches to moving image
visual culture

Product details

  • ISBN 9781138007079
  • Weight: 980g
  • Dimensions: 174 x 246mm
  • Publication Date: 08 Apr 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms.
This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality
Consultant Editors:
David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University,
UK ,Elayne Rapping, USA

Roberta Pearson, Philip Simpson