Critical histories of the Arts and Crafts movement

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activism
Arts and Crafts exhibitions
arts and crafts revival
Birmingham Cathedral
carceral aesthetics
carceral style
Category=AKX
Chinese ceramics
Chinese porcelain
commerce
commercial hierarchies
craftivism
critical reception
Dante Gabriel Rossetti
decolonisation of design
Edward Burne-Jones
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
forthcoming
global craft market
handweaving
indigenous agency
indigenous craftspeople
indigo
Islamic style
Linthorpe Art Pottery
May Morris
nationhood
Pre-Raphaelites
Ruskin Pottery
stained glass
transnational history of design
transnational knowledge exchange
Walter Crane
William Morris

Product details

  • ISBN 9781526190420
  • Dimensions: 170 x 240mm
  • Publication Date: 20 Oct 2026
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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The Arts and Crafts movement has long been hailed for the radical shifts it generated in artmaking and culture with its critique of the conditions of labour, design reforms, association with socialist politics, provision of new opportunities for women artists, and alignment with early green thought. Yet despite numerous publications on the Arts and Crafts movement, conventional narratives remain celebratory and critically underdeveloped. Examining the complexities and contradictions of the movement, this book offers new critical analyses of Arts and Crafts figures, principles, practices, objects and sites grounded in innovative methodologies. Drawing on recent work in LGBTQ+ studies, critical race studies and eco-art history, the book reconsiders the radicalism and legacies of the movement. Reframing the movement’s contested canonical, chronological and geographical parameters, chapters rewrite the intertwined histories of the Arts and Crafts movement and contexts of cultural identity, ethnography, race, empire, nation building, transnational exchange and globalised markets.

Thomas Cooper is HR Woudhuysen Junior Research Fellow in Material Culture at Lincoln College, Oxford
Imogen Hart is a Lecturer in the History of Art at Oxford Brookes University