alley
Angular Trajectory
Carnegie Recital Hall
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Category=AVLP
Children's Musical Identities
Children’s Musical Identities
Chopin
Cipriano De Rore
Common Practice Style
Critical Musicology
derek
Digital Real Time Simulations
Drowned World Tour
Duke Bluebeard's Castle
Duke Bluebeard’s Castle
Dylan's Songs
Dylan’s Songs
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Ethnic Chinese Child
ethnomusicological analysis
feminist musicology
genre evolution
Great Divides
Hard Rain's A-gonna Fall
Hard Rain’s A-gonna Fall
Intercultural Analysis
Intercultural Transaction
interdisciplinary music research
Japanese Traditional Music
music sociology
musical aesthetics
musicology
National Library
pan
performance studies
Personal Informality
pitch
Pop Star
relational
Relational Musicology
Rhythmic Irregularity
Schenkerian Analysis
scott
space
tin
tonal
Tonal Pitch Space
Tonic Axis
Product details
- ISBN 9781409425601
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 20 Apr 2012
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This collection of original essays is in tribute to the work of Derek Scott on the occasion of his sixtieth birthday. As one of the leading lights in Critical Musicology, Scott has helped shape the epistemological direction for music research since the late 1980s. There is no doubt that the path taken by the critical musicologist has been a tricky one, leading to new conceptions, interactions, and heated debates during the past two decades. Changes in musicology during the closing decades of the twentieth century prompted the establishment of new sets of theoretical methods that probed at the social and cultural relevance of music, as much as its self-referentiality. All the scholars contributing to this book have played a role in the general paradigmatic shift that ensued in the wake of Kerman's call for change in the 1980s. Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism, ethnomusicology, history, anthropology, philosophy, cultural studies, aesthetics, media studies, film music studies, and gender studies. The volume provides music researchers and graduate students with an up-to-date authoritative reference to all matters dealing with the state of critical musicology today.
Stan Hawkins is Professor of Musicology at the University of Oslo, Norway and adjunct professor at the University of Agder, Kristiansand, Norway. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), co-author of Prince: The Making of a Pop Music Phenomenon (2011), editor of Pop Music and Easy Listening (2011), and co-editor of Music, Space and Place (2005) (all published by Ashgate) and Essays on Sound and Vision (2007).
