Critical Perspectives on the Hallmark Channel

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American Film
American TV
Category=ATF
Category=JBCC1
Category=JBCT2
Category=NH
Christmas Films
Christmas Movies
cultural nostalgia
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist analysis of holiday films
gender representation
Hallmark Channel
Holiday Film
media studies
queer inclusivity
Romance Film
Romance TV
social conservatism
television criticism

Product details

  • ISBN 9781032487304
  • Weight: 380g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This multinational, multidisciplinary collection of essays focuses on Hallmark Channel movies and Hallmark’s position in the changing North American media landscape.

This book covers the ‘Countdown to Christmas’ offerings, year-round productions, made-for-TV mysteries and romances, Hallmark’s use of specific filming locations, and its relationship to viewer desires. Chapters examine Hallmark’s position in a changing sociopolitical context and the tensions the company must navigate in creating more “progressive” content; they discuss issues of gender, race, sexuality, and place, as well as analyzing the extensive ranges and reactions of social media participants and interrogating the nature of Hallmark’s popularity.

Suitable for scholars and students of film and tv and popular culture studies, this is a multifaceted look at both Hallmark and its viewers at a particular moment of Hallmark’s market dominance.

Carlen Lavigne, Ph.D., is Head of Communications Studies at Red Deer Polytechnic in Alberta, Canada. She is the author of Post-Apocalyptic Patriarchy: American Television and Gendered Visions of Survival (McFarland, 2018), and Cyberpunk Women, Feminism and Science Fiction (McFarland, 2013). She is also the editor of Remake Television (Lexington, 2014) and the co-editor of American Remakes of British Television (Lexington, 2011).