Criticism, Crisis, and Contemporary Narrative

Regular price €71.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Avian Infl Uenza
Black Dawn
BPA
capital
casino
Casino Royale
Category=DSA
Category=DSB
Category=JBCC
Category=NH
Common Language
cormac
crisis discourse
critical approaches to global crises
cultural analysis
Doomsday Clock
dystopian fiction studies
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
EU's Research Programme
EU’s Research Programme
Fabulously Textual
Fatal Contact
Fi Nancial Capitalism
Fi Nancial Markets
Fi Nancial Professionals
Global Fi Nancial Crisis
global risk studies
goo
gray
Gray Goo
Incredible Shrinking Man
Infl Uenza
Lauren Beukes
Le Chiffre
literary theory
Mansfi Eld
markets
nance
nancial
narrative ethics
Nuclear Criticism
Offshore Fi Nancial Center
professionals
Risk Criticism
Risk Society
royale
UN
Vice Versa

Product details

  • ISBN 9781138816206
  • Weight: 317g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Jun 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The etymological affinity between ‘criticism’ and ‘crisis’ has never been more resonant than it is today, when social life is increasingly understood as defined by a succession of overlapping global crises: financial and economic crises; environmental crises; geopolitical crises; terrorist crises; public health crises. But what is the role of literary and cultural criticism in conceptualizing this atmosphere of perpetual crisis? If, as Paul de Man maintained, criticism necessarily exists in a state of crisis, in what ways is this condition intensified at a time when the social formations within which criticism operates and the cultural artefacts that it takes as its objects are themselves pervaded by actual and imagined states of emergency? This book, the first sustained response to these questions, demonstrates the capacity of critical thought, working in dialogue with key narrative texts, to provide penetrating insights into a contemporary landscape of global, manufactured risk. Written by an international team of specialist scholars, the essays in the collection draw on a wide variety of contemporary theoretical, fictional, and cinematic sources, ranging from Giorgio Agamben, Jacques Derrida, and Fredric Jameson to Cormac McCarthy, Ian McEwan, and Lauren Beukes to Ghost and the James Bond and National Treasure series. Appearing in the midst of a phase of extraordinary turbulence in the fabric of our interconnected and interdependent world, the book makes a landmark intervention in debates concerning the cultural ramifications of globalization.

Paul Crossthwaite is Lecturer in English Literature and Member of the Centre for Critical and Cultural Theory, School of English, Communication, and Philosophy, Cardiff University.