Crossing Cultural Borders Through the Actor's Work

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A01=Claudia Tatinge Nascimento
actor training
Actor's Dramaturgy
Actor's Professional Identity
Actor’s Dramaturgy
Actor’s Professional Identity
apprenticeship methods
Author_Claudia Tatinge Nascimento
Brecht's Ashes
Brecht’s Ashes
carreri
Category=ATDC
creative process in actor transformation
Cultural Border Crossing
Cultural Borders
Du Soleil
embodiment in theater
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Family's Dialect
Family’s Dialect
Fl Amenco
intercultural
Intercultural Actor
intercultural performance
Intercultural Theatre
jerzy
Jerzy Grotowski
Kinesthetic Imagination
Mallika Sarabhai
Objective Drama Research
odin
Odin Teatret
Odin Teatret Actor
oida
performance
performance theory
race and identity in performance
roberta
Roberta Carreri
Singapore Press Holdings
Tai Ji
teatret
theatre
Twentieth Century Actor Training
Western Actor Training
World Performance Laboratory
yoshi
Yoshi Oida

Product details

  • ISBN 9780415988872
  • Weight: 520g
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Sep 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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A sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, this book redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). By illuminating the hidden creative processes usually unavailable to outsiders--the actor’s apprenticeship, training, character development, and rehearsals--Nascimento both reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices, and details how performance analyses and claims of appropriation fail to consider the permanent transformation of the actor’s identity that cultural transmission and embodiment represent.

Cláudia Tatinge Nascimento is an artist-scholar from Rio de Janeiro, with a particular interest in experimental performance. Her articles appear internationally in journals such as A[l]berto and Folhetim (Brazil), Biblioteca Teatrale (Italy), Didaskalia (Poland), Studia Dramatica (Romania), and TDR and Theatre Research International (United States). A professor and chair of the Theater and Dance Department at Macalester College, she is also the author of After the Long Silence: The Theater of Brazil’s Post-Dictatorship Generation (Routledge, 2019).

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