Crossing Cultural Borders Through the Actor's Work

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A01=Claudia Tatinge Nascimento
actor training
Actor's Dramaturgy
Actor's Professional Identity
Actor’s Dramaturgy
Actor’s Professional Identity
apprenticeship methods
Author_Claudia Tatinge Nascimento
Brecht's Ashes
Brecht’s Ashes
carreri
Category=AFKP
Category=ATD
creative process in actor transformation
Cultural Border Crossing
Cultural Borders
Du Soleil
embodiment in theater
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Family's Dialect
Family’s Dialect
Fl Amenco
intercultural
Intercultural Actor
intercultural performance
Intercultural Theatre
jerzy
Jerzy Grotowski
Kinesthetic Imagination
Mallika Sarabhai
Objective Drama Research
odin
Odin Teatret
Odin Teatret Actor
oida
performance
performance theory
race and identity in performance
roberta
Roberta Carreri
Singapore Press Holdings
Tai Ji
teatret
theatre
Twentieth Century Actor Training
Western Actor Training
World Performance Laboratory
yoshi
Yoshi Oida

Product details

  • ISBN 9780415884006
  • Weight: 330g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Jul 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, Crossing Cultural Borders Through the Actor’s Work redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). By illuminating the hidden creative processes usually unavailable to outsiders--the actor’s apprenticeship, training, character development, and rehearsals--Nascimento both reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices, and details how performance analyses and claims of appropriation fail to consider the permanent transformation of the actor’s identity that cultural transmission and embodiment represent.

Actor, director, and scholar Cláudia Tatinge Nascimento, PhD, performs and conducts research internationally. Tatinge Nascimento is an Associate Professor in the Theatre Department at Wesleyan University, and her articles have appeared in Biblioteca Teatrale (Italy), Didaskalia (Poland), and Theatre Research International, among others.

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