Crowdfunding and Independence in Film and Music

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A01=Blanka Brzozowska
A01=Patryk Galuszka
Artistic independence
audience engagement strategies
Author_Blanka Brzozowska
Author_Patryk Galuszka
Category=JBCT
Category=KNT
Category=KNTF
Classic Marketing Research
Clear Predictors
Collective Patronage
creative industries research
Crowdfunding
Crowdfunding Campaign
Crowdfunding Platforms
Crowdfunding Process
cultural production systems
Cultural studies
digital funding models
Disney Music Group
Emotional Capital
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film production
independent artist crowdfunding analysis
Independent Cinema
Independent Creativity
Independent Labels
Independent Music Labels
Kickstarter Campaign
Kickstarter Platform
Major Record Companies
Major Record Label
Marketing Conditions
media economics
Music artists
participatory culture
Platform's Business Model
Platform’s Business Model
Private Tv Station
Project Initiators
Social Virtual Communities
Superb
Trent Reznor
Tv Station
Yannis Tzioumakis

Product details

  • ISBN 9780367714062
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 11 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores how independent film and music artists and labels use crowdfunding and where this use places crowdfunding in the contemporary system of cultural production. It complements an analysis of independence in film and music with the topic of crowdfunding as a firmly established form of financing cultural activity.

In the second half of the 20th century, the concept of artistic independence was vital to classifying and distinguishing artists, their works, and labels or publishers who released them. However, during the last three decades, this term has become increasingly blurred, and some commentators argue that independence is in crisis. Can crowdfunding be the answer to this crisis? Some believe that it is, whereas others argue otherwise, seeing crowdfunding instead as just the next manifestation of this crisis. This dilemma is a starting point for the analyses of the relationships between crowdfunding and artistic independence conducted in this book, and will be of great interest to people looking for a deeper understanding of crowdfunding, how it can influence artistic independence, and what it means for artists and audiences.

It will be a stimulating read for scholars and students with an interest in media and cultural studies, digital humanities, fandom, sociology, economics, business studies, and law, while also offering insights to artists and practitioners in the creative industries.

Blanka Brzozowska is Associate Professor at the Institute of Contemporary Culture at the University of Łódź, Poland.

Patryk Galuszka is Associate Professor in the Faculty of Economics and Sociology at the University of Łódź, Poland.

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