Crusades and Visual Culture
Regular price
€192.20
April Jehan Morris
art and religion
British Library Board
Category=AGA
Category=NHWR
Cathleen A. Fleck
Christ Child
Christianity
cross-cultural exchange
Crusader Art
Crusader Church
Debra Higgs Strickland
Elizabeth Lapina
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Esther Dehoux
fifteenth century
fourteenth century
Frankish Icon
Frederick III
Gesta Regis Henrici Secundi
Gil Fishhof
Henry III
Hereford Map
Innocent III
Jaroslav Folda
Jean De Vignay
John Munns
Koninklijke Bibliotheek
Latin East studies
Laura J. Whatley
Lisa Mahoney
Lucy Anne Hunt
manuscript illumination
Maureen Quigley
medieval
medieval art history
medieval sculpture analysis
Melisende Psalter
Michigan Princeton Alexandria Expeditions
Nora S. Lambert
Norman Housley
Nurith Kenaan-Kedar
P.D.A. Harvey
Paolino Veneto
Piccolomini Library
Pope Pius II
religious iconography
Richard A. Leson
Round Windows
Siena Cathedral
Stavelot Triptych
Susanna A. Throop
thirteenth century
True Cross Relics
twelfth century
visual representations of crusading ideology
war studies
Young Men
Product details
- ISBN 9781472449269
- Weight: 839g
- Dimensions: 174 x 246mm
- Publication Date: 28 Nov 2015
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.
Elizabeth Lapina received a PhD in History from the Johns Hopkins University and is now Assistant Professor of History at the University of Wisconsin-Madison, USA. April Jehan Morris received a PhD in Art History from the University of Texas at Austin and is now Assistant Professor of Art History at Hood College, USA. Susanna A. Throop received a PhD in History from the University of Cambridge and is now Associate Professor of History at Ursinus College, USA. Laura J. Whatley received a PhD in Art History from the University of Illinois Urbana-Champaign and is now Assistant Professor of Art History, Auburn University at Montgomery, USA.
