Cubism and Abstract Art

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A01=Alfred H. Barr
A01=Jr.
Abstract Art
abstract art history research
abstract automatism
Abstract Expressionism
Abstract Painting
Age Group_Uncategorized
Age Group_Uncategorized
Alexander Rodchenko
Analytical Cubism
art theory analysis
Author_Alfred H. Barr
Author_Jr.
automatic-update
avant-garde sculpture
Blue Rider Group
Category1=Non-Fiction
Category=AB
COP=United Kingdom
De Stijl
Delivery_Pre-order
Duchamps Bride
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gauguin
geometric abstraction
Gogh
industrial art
Jr.
Language_English
Le Corbusier
Lyonel Feininger
Man Ray
modernist movements
Mondrian's Composition
Mondrian’s Composition
Negro Sculpture
nonrepresentational painting
PA=Temporarily unavailable
Painter Mondrian
Picasso's Collage
Picasso’s Collage
post-War
Price_€20 to €50
PS=Active
softlaunch
Superimposed
Suprematist Composition
Suprematist Painting
Tatlin's Tower
Tatlin’s Tower
Tear Gland
twentieth-century visual arts
Van Doesburg
Zurich Dadaism

Product details

  • ISBN 9780367180218
  • Weight: 470g
  • Dimensions: 187 x 253mm
  • Publication Date: 15 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Originally published in 1936, in this classic account of the development of abstract art Alfred Barr analyses the many diverse abstract movements which emerged with bewildering rapidity in the early years of the twentieth century, and which had an impact on every major form of art.

Barr traces the history of nonrepresentational art from its antecedents in late nineteenth-century painting in France – Seurat and Neo-Impressionism, Gauguin and Synthetism, and Cézanne – through abstract tendencies in Dada and Surrealism. He distinguishes two main trends in abstract art: the geometrical, structural current as it developed in Cubism and later in Constructivism and Mondrian, and the intuitional, decorative current running from Matisse and Fauvism through Kandinskt and, later, Surrealism. He shows how individual movements influenced one another, and how many artists experimented with more than one style. Barr also discusses the involvement of a number of abstract movements in architecture and the practical arts – the Bauhaus in Germany, de Stijl in Holland, Purism in France, and Suprematism and Constructivism in Russia.

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