A01=Clarissa J. Ceglio
American culture during WWII
American museums and propaganda
American museums' relevance during WWII
American war museums
and memory
art and museum history of WWII era
Author_Clarissa J. Ceglio
balancing education and national identity
Best books on WWII museums
Category=GLZ
Category=NHK
Category=NHWR7
changing museum audiences and outreach
Clarissa J. Ceglio museum studies
community engagement through museum narratives
cultural arsenal for democracy in museums
cultural mobilization on the home front
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evolution of museum exhibition practices
exhibitions as tools for patriotism and education
How museums responded to war
impact of war on American cultural institutions
legacy of wartime cultural programming
living maps and troop movement exhibits
MoMA wartime exhibitions
museum debates and collaborations 1930s-1940s
Museum history WWII
Museum of Modern Art wartime initiatives
Museum of Modern Art WWII
museums
Museums and American identity
Museums and government collaboration
Museums and patriotism
Museums and public engagement
Museums and storytelling techniques
Museums and the U.S. government
Museums and war
museums and wartime innovation
museums and World War II American society
Museums as educational tools
museums as national defense instruments
museums as sites of modern storytelling
Museums as social instruments
Museums in World War II
museums reflecting social change
Museums shaping national narratives
museums shaping public perception of war
narrating Allied cultures in museum displays
new exhibition strategies for public dialogue
public history and patriotic exhibits
redefining museum missions during conflict
roles of art institutions in civic life
Smithsonian WWII exhibits
storytelling and narrative in museum history
The history of wartime museums
The politics of museum exhibitions
The power of exhibitions in war
The role of exhibitions in war
The role of museums in war
The social impact of museums
U.S. cultural institutions WWII
U.S. wartime exhibitions
US 20th-century social history and museums
War
War and the arts
War education in museums
War exhibits and public perception
wartime exhibitions and public engagement
Wartime museums
World War II propaganda
WWII cultural diplomacy
WWII museum exhibitions
WWII public history
Product details
- ISBN 9781625346247
- Weight: 425g
- Dimensions: 151 x 230mm
- Publication Date: 28 Feb 2022
- Publisher: University of Massachusetts Press
- Publication City/Country: US
- Product Form: Hardback
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Does it seem strange to think of a museum as a weapon in national defense?" asked John Hay Whitney, president of the Museum of Modern Art, in June 1941. As the United States entered the Second World War in the months to follow, this idea seemed far from strange to museums. Working to strike the right balance between education and patriotism, and hoping to attain greater relevance, many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument.
Unsurprisingly, exhibitions served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Clarissa J. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling.
Unsurprisingly, exhibitions served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Clarissa J. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling.
