Cultural Cold War and the Global South

Regular price €179.80
African Rhythms
Anti-colonial Cinema
Anticolonial Solidarities
Argentine Filmmakers
Borom Sarret
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Category=NHAH
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Chilean Cold War
Cold War
Cold War Cultural Diplomacy
Cold War Historiography
Cold War memory studies
Commission Iii
Cultural Cold War
Cultural Congress
Cultural Congress of Havana
cultural diplomacy in Asia Africa Latin America
El Bonaerense
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Farah's Novels
Farah’s Novels
Global South
intellectual networks
International Writing Program
literary conferences research
Negritude Poetry
Padilla Affair
People's Revolutionary Government
People's War
People’s Revolutionary Government
People’s War
postcolonial cultural studies
Rain Clouds Gather
Sajjad Zaheer
South African Literary Studies
Soviet India
Soviet Union
transnational solidarity
Van Pelt Library
Vice Versa
visual arts diplomacy
Vladimir Markov
Young Man

Product details

  • ISBN 9780367679378
  • Weight: 616g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume investigates the cultural sites where the global Cold War played out. It brings to view unpredictable encounters that arose as writers, artists, filmmakers, and intellectuals from or aligned with the Third World navigated the ideological and material constraints set by superpowers and emerging regional powers. Often these encounters generated communitas and solidarity, while at times they fed old and new conflicts. Pushing forward recent scholarship that tracks the Cold War in the Global South and draws on postcolonial approaches, our contributors use archival, secondary, and ethnographic sources to trace the afterlives and memories of key figures and to explore meetings that performed cultural diplomacy.

Our focus on sites of encounter or exchange underscores the situated, interpersonal, and embodied dimensions through which much of the cultural Cold War was experienced. While the global conflict divided citizens along ideological fault lines, it also linked people through circulating media—novels, film, posters, journals, and theatre—and multinational conferences that brought artists, intellectuals, and political activists together. Such contacts introduced new axes of solidarity and hierarchies of exclusion. Examining these connections and disjunctures, this new and necessary mapping of the cultural Cold War highlights under-addressed locations in Asia, Africa, and Latin America.

Kerry Bystrom is an Associate Professor of English and Human Rights and Associate Dean of the College at Bard College Berlin, A Liberal Arts University. Previous publications include Democracy at Home in South Africa: Family Fictions and Transitional Culture (2016).

Monica Popescu is an Associate Professor of English and William Dawson Scholar of African Literatures at McGill University. She is the author of South African Literature Beyond the Cold War (which won the 2012 Gustave O. Arlt Award in the Humanities) and At Penpoint: African Literatures, Postcolonial Studies and the Cold War (2020).

Katherine Zien is an Associate Professor in the Department of English at McGill University. Zien’s 2017 book is Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone. Her current project, supported by Canada’s Social Sciences and Humanities Research Council, explores militarization and performance in Latin America’s Cold War.