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A01=Nat Cutter
A01=Rachel Fensham
A01=Tyne Daile Sumner
A01=Tyne Sumner
Archival Science
Art History
Author_Nat Cutter
Author_Rachel Fensham
Author_Tyne Daile Sumner
Author_Tyne Sumner
Category=GLZ
Category=JBCC
Category=JBSF
Cultural Data
Cultural Heritage Studies
Cultural Theory
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming

Product details

  • ISBN 9781032492933
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jun 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume presents a timely and original study of the meaning, uses, and impact of cultural data today. Working across critical and creative strands of inquiry, the book situates cultural data in the context of contemporary social, environmental, and political challenges such as the future of the arts and climate change.

Drawing on fields ranging from sociology and art history through to computer science and digital heritage, Cultural Data expands the possibilities for the study of arts and culture using computational methods at a critical moment for both national and global discussions about the future of digitisation and cultural data. Combining computer-assisted quantitative research with and qualitative and theoretical approaches, this book examines historical trends, demographic politics, and data cultures alongside experimental data visualisations that build distinctive narratives for the arts and creative industries. Through using and manipulating the open-source interoperability of arts and cultural data, the book presents new approaches, both theoretical and empirical, for telling stories about individual artistic careers, events, organisations, and networks. It also explores the unspoken, often hidden or obscured, content of cultural data: its murky histories, gaps, inconsistencies, silences, and bias.

This volume will be of interest to students, scholars and practitioners in fields including cultural heritage studies, creative and performing arts, archival science, cultural policy, gender studies, art history, and cultural theory. It will also be of interest to the growing community of digital humanities laboratories and centres around the globe who operate at the intersection of humanities research, data science, and creative practice.

Rachel Fensham is Principal Fellow of Dance and Theatre Studies at The University of Melbourne, Australia.

Tyne Sumner is an Australian Research Council DECRA Fellow at The Australian National University.

Nat Cutter is a Mary Lugton Postdoctoral Fellow and Assistant Lecturer in History at The University of Melbourne, Australia.

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