Cultural Histories of Ageing

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Ageing
aging identity formation
Annie Ernaux
Autobiographical writing
Basil Hallward
Category=DSA
Category=NHAH
Category=NHD
Category=NHTB
Chronometric Age
Chronometric Time
Contemporary Society
cross-cultural aging studies
Cultural histories
De Senectute
Dorian Gray
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eq_biography-true-stories
eq_history
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eq_isMigrated=2
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eq_non-fiction
Faust II
Forensic Psychiatric Report
Good Life
historical representations of old age
Houellebecq's Novels
Houellebecq’s Novels
Kreutzer Sonata
La Femme Rompue
La Peau De Chagrin
Late Style
late-life subjectivity
literary gerontology
literary sources in aging research
Michel De Montaigne
Michel Houellebecq
narrative analysis in literature
Narrative Gerontology
Overgrown Paths
Pop Stars
Russian literature
Scientific Gerontology
Simone De Beauvoir
Vice Versa
Wessex Poems
Young Men

Product details

  • ISBN 9780367769741
  • Weight: 589g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing on sixteenth- to twenty-first-century American, British, French, German, Polish, Norwegian and Russian literature and philosophy, this collection teases out culturally specific conceptions of old age as well as subjective constructions of late-life identity and selfhood. The internationally known humanistic gerontologist Jan Baars, the prominent historian of old age David Troyansky and the distinguished cultural historian and pioneer in the field of literature and science George Rousseau join a team of literary historians who trace out the interfaces between their chosen texts and the respective periods’ medical and gerontological knowledge. The chapters’ in-depth analyses of major and less-known works demonstrate the rich potential of fiction, poetry and autobiographical writing in the construction of a cultural history of senescence. These literary examples not only bear witness to longue durée representations of old age, and epochal transitions regarding cultural attitudes to the aged; they also foreground the subjectivities that produced some of these representations and that continue to communicate with readers of other times and places. By casting a net over a variety of authors, genres, periods and languages, the collection gives a broad sense of how literature is among the richest and most engaging sources for historicizing the ageing self.

Margery Vibe Skagen is Associate Professor in French Literature at the University of Bergen.