Cultural History of Serbia

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A01=David A. Norris
Albania
Arkan
Author_David A. Norris
Balkan historical studies
Balkan Wars
Belgrade
Beograd
Bosnia-Herzegovina
Bosnian Serbs
Category=NHD
Category=NHTB
Chetniks
Croatia
Croats and Slovenes
cultural adaptation processes
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eq_history
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eq_isMigrated=2
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eq_non-fiction
Eric D. Gordy
Franz Ferdinand
Gavrilo Princip
Gorazde
heritage preservation theory
Ilija Garasanin
Jasna Dragovic-Soso
Josip Broz Tito
Karadorde
Kingdom of Serbs
Kosovo
Mihailo Obrenovic
modern Serbian cultural evolution
Montenegro
NDH
Novi Sad
Ottoman Empire
Partisans
post-socialist transformation
Ratko Mladic
Republika Srpska
Serbian identity formation
Siege of Sarajevo
Sinisa Mihailovic
Slobodan Milosevic
Srebenica
The Hague
Toma Vucic-Perisic
transnational cultural exchange
Vojvodina
War Crimes
Yugo Cars
Yugonostalgia
Yugoslavia
Zemun

Product details

  • ISBN 9781138344013
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Mar 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume focuses on Serbia’s need to manage change while preserving community identities, a narrative that avoids the common depiction of Serbian culture as a hostile struggle between modernizers supporting foreign models and traditionalists advocating forms of national cultural patrimony.

Traditions only function if they are allowed to bend to the necessary modifications demanded by a community’s changing historical circumstances. Tradition and change are two sides of the same coin which Serbia, in its many different incarnations, has experienced over the centuries, protecting its national heritage while borrowing and adapting intellectual and other trends from Byzantine, Ottoman and Western sources. Outside influences have been imposed as a direct result of foreign rule or through more friendly channels of communication, leading to a complex relationship between autochthonous and alien elements in Serbian society and culture. This book argues that the division between the national and international frameworks has often been a false dichotomy, with outside features embedded in domestic symbolic capital and Serbian culture simultaneously determined on local, national, regional and global levels.

David A. Norris’s approach offers a new perspective to students, academics and general readers interested in the history of Serbia’s participation in the broad networks of cultural exchange.

David A. Norris taught Serbian and Croatian Studies at the University of Nottingham for many years. He has published widely on modern Serbian culture and literature and has also authored language textbooks. His books have been translated into German, Polish and Serbian.

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