Cultural Politics of Chick Lit

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A01=Heike Missler
Affect Studies
affect theory analysis
Affective Economics
American Literature
Author_Heike Missler
Bridget Jones's Diary
candace bushnell
Category=DS
Category=DSBH
Category=DSK
Category=JBCC1
Category=JBSF
Category=JBSF1
Category=JBSF11
Central Love Story
Chick Culture
Chick Flicks
Chick Lit
Citizen Girl
Contemporary Fiction
Convergence Culture
death by chick lit
Emma McLaughlin
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
erica kennedy
Erotic Turn
Fan Fiction
Fan Studies
feminist literary criticism
feminista
Fifty Shades Trilogy
gender representation studies
Gender Studies
Helen Fielding
Irony's Edge
Irony’s Edge
Literature
lynn harris
Main Characters
Nanny Diaries
nicole kraus
online fan communities
Online Fandom
Pop Culture
popular culture
Popular Fiction
Popular Romance
postfeminism
postfeminist genre cultural analysis
Postfeminist Media Culture
Queer Theory
reader response theory
Reality Tv Show
sex and the city
Smithton Women
Textual Poachers
Tv Programme
Twilight Saga
Whiteness Studies
Women's Fiction
women's popular fiction
Women's Studies
Women’s Fiction

Product details

  • ISBN 9780367877460
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Chick lit is the marketing label attributed to a surge of books published in the wake of Helen Fielding's Bridget Jones's Diary (1996) and Candace Bushnell's Sex and the City (1997). Branded by their pink or pastel-coloured book covers, chick-lit novels have been a highly successful and ubiquitous product of women's popular culture since the late 1990s.

This study traces the evolution of chick lit not only as a genre of popular fiction, but as a cultural phenomenon. It complicates the genealogy of the texts by situating them firmly in the context of age-old debates about female literary creation, and by highlighting the dynamics of the popular-fiction market. Offering a convincing dissection of the formula which lies at the heart of chick lit, as well as in-depth analyses of a number of chick-lit titles ranging from classic to more recent and edgier texts, this book yields new insights into a relatively young field of academic study. Its close readings provide astute assessments of chick lit's notoriously skewed representational politics, especially with regard to sexuality and ethnicity, which feed into current discussions about postfeminism. Moreover, the study makes a unique contribution to the scholarly debate of chick lit by including an analysis of the (online) fan communities the genre has fostered.

The Cultural Politics of Chick Lit weaves a sound methodological network, drawing on reader-response criticism; feminist, gender, and queer theory; affect studies; and whiteness studies. This book is an accessible and engaging study for anyone interested in postfeminism and popular culture.

Heike Mißler is a Senior Lecturer at the English Department of Saarland University, Germany, where she has recently completed her PhD on postfeminist fiction. Her research interests are feminist theory, gender and queer studies, and popular culture studies.

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