Cultural Politics of Colorblind TV Casting

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A01=Kristen J. Warner
African American
American television
Author_Kristen J. Warner
Casting Directors
Casting Executive
Casting Process
Category=AB
Category=JBCC1
Category=JBCT2
Category=JBSL
Category=JHB
Category=KNTP2
Category=NH
Coleman
Colorblind Casting
critical race theory
CW
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eq_bestseller
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eq_history
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eq_isMigrated=2
eq_nobargain
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Grey's Anatomy
Grey’s Anatomy
Hollywood Logic
Interracial Romance
Kweisi Mfume
Los ANGELES
Magical Negro
Main Characters
McIlwain
media industry
media studies
Mystic Falls
Primetime Television
production culture
Racial Colorblindness
Sag Representative
Seattle Grace
Shonda Rhimes
Soap
Talent Agent
The Vampire Diaries
Tragic Mulatta
USA Today Article
Vampire Diaries
Vice Versa
Visible Balance

Product details

  • ISBN 9781138548701
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book fills a significant gap in the critical conversation on race in media by extending interrogations of racial colorblindness in American television to the industrial practices that shape what we see on screen. Specifically, it frames the practice of colorblind casting as a potent lens for examining the interdependence of 21st century post-racial politics and popular culture. Applying a ‘production as culture’ approach to a series of casting case studies from American primetime dramatic television, including ABC’s Grey’s Anatomy and The CW’s The Vampire Diaries, Kristen Warner complicates our understanding of the cultural processes that inform casting and expounds the aesthetic and pragmatic industrial viewpoints that perpetuate limiting or downright exclusionary hiring norms. She also examines the material effects of actors of color who knowingly participate in this system and justify their limited roles as a consequence of employment, and finally speculates on what alternatives, if any, are available to correct these practices. Warner’s insights are a valuable addition to scholarship in media industry studies, critical race theory, ethnic studies, and audience reception, and will also appeal to those with a general interest in race in popular culture.

Kristen Warner is an Assistant Professor in the Department of Telecommunication and Film at The University of Alabama. Her research interests are centered at the juxtaposition of televisual racial representation and its place within the media industries, particularly within the practice of casting. Warner’s work can be found in publications such as Television and New Media and Camera Obscura.

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