Cultural Populism

Regular price €62.99
A01=Jim McGuigan
American Prime Time Soaps
angela
Anti-porn Feminists
Author_Jim McGuigan
Barthesian Semiology
Birmingham Centre
Category=GTC
Category=JBCC
Category=JHM
contemporary
Contemporary Cultural Studies
critical analysis of popular culture
Cultural Class System
Cultural Populism
culture
Decoding Model
dominant
Dominant Ideology Thesis
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Federal Republic Of Germany
GDR Authority
GDR Television
hegemony
Hegemony Theory
ideology
Mass Culture Critique
media studies theory
Notting Hill Carnival
political expression media
Pop Stars
popular
popular media criticism
postmodern cultural analysis
public communication research
Rushdie Affair
Social Reproduction
studies
Subcultural Analysis
subcultural theory
theory
thesis
Tv Game Show
Uncritical Populism
West Germany
Western Tv
Working Class Subcultures
Youth Cultural Consumption

Product details

  • ISBN 9780415062954
  • Weight: 560g
  • Dimensions: 138 x 216mm
  • Publication Date: 03 Sep 1992
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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First Published in 2004. This book provides a novel understanding of current thought and enquiry in the study of popular culture and communications media. The populist sentiments and impulses underlying cultural studies and its postmodernist variants are explored and criticized sympathetically. An exclusively consumptionist trend of analysis is identified and shown to be an unsatisfactory means of accounting for the complex material conditions and mediations that shape ordinary people’s pleasures and opportunities for personal and political expression. Through detailed consideration of the work of Raymond Williams, Stuart Hall and ‘the Birmingham School’, John Fiske, youth subcultural analysis, popular television study, and issues generally concerned with public communication (including advertising, arts and broadcasting policies, children’s television, tabloid journalism, feminism and pornography, the Rushdie affair, and the collapse of communism), Jim McGuigan sets out a distinctive case for recovering critical analysis of popular culture in a rapidly changing, conflict-ridden world. The book is an accessible introduction to past and present debates for undergraduate students, and it poses some challenging theses for postgraduate students, researchers and lecturers.
Jim McGuigan lectures in Communication Studies at Coventry University.