Cultural Production in and Beyond the Recording Studio

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A01=Allan Watson
Author_Allan Watson
Category=JBCC
Category=JBCT
Category=JHB
Changing Employment Relations
collaborative creativity research
creative labor studies
Digital Music Market
Emotional Labour
engineer
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feed Energy
Freelance Engineers
global music production networks
Global Urban Networks
Google Play
Home Recording
human geography of music
Live Music Venues
Male Engineer
Male Engineer Producer
Midi
Midi Channel
Midi Sequencer
music industry networks
Networked Reputation
Playback
Professional Recording Studios
Recording Consoles
Recording Studio Sector
Recording Studios
Reputation Work
Software DAWs
sound engineering practices
Studio Closures
Tea Boy
urban music economies
Urban Music Scenes

Product details

  • ISBN 9781138634596
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialities of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production.

This unique text adopts a social-geographical perspective to capture the multiple spatial scales of music production: from opening the "black-box" of the insulated space of the recording studio; through the wider contexts in which music production is situated; to the far-flung global production networks of which recording studios are part. Drawing on original research, recent writing on cultural production across a variety of academic disciplines, secondary sources such as popular music biographies, and including a wide range of case studies, this lively and accessible text covers a range of issues including the role of technology in musical creativity; creative collaboration and emotional labour; networking and reputation; and contemporary economic challenges to studios.

As a contribution to contemporary debates on creativity, cultural production and creative labour, Cultural Production in and Beyond the Recording Studio will appeal to academic students and researchers working across the social sciences, including human geography, cultural studies, media and communication studies, sociology, as well as those studying music production courses.

Allan Watson is Senior Lecturer in Human Geography at Staffordshire University.

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