Cultural Protest in Journalism, Documentary Films and the Arts

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Daniel H. Mutibwa
Age Group_Uncategorized
Age Group_Uncategorized
alternative media studies
Amber Films
art programmes
Artistic Imperatives
Author_Daniel H. Mutibwa
automatic-update
Category1=Non-Fiction
Category=JPWF
Category=JPWG
Commercial Imperatives
contemporary journalistic
Contemporary Society
COP=United Kingdom
countercultural era
critical cultural industries
Critical Sociological Approaches
Cultural Companies
Cultural Industries Research
Cultural Production Processes
Delivery_Delivery within 10-20 working days
documentary film-making
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic research methods
Factors Impact Media
GRIPS Theater
Handspring Puppet Company
independent media organisational dynamics
Industrial Films
Language_English
Mainstream Public Service
Media Production Skills
Open Access Channels
PA=Available
participatory communication
political economy of media
Price_€100 and above
Professional Imperatives
Professional Journalistic Identities
Professional Journalistic Norms
Protest Cultures
PS=Active
Semi-structured Qualitative Interviews
social movements
Socio-political Imperatives
softlaunch
transnational protest movements
West Germany
Wider Social Participation

Product details

  • ISBN 9781138552135
  • Weight: 458g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era.

The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work.

In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.

Daniel H. Mutibwa is an Assistant Professor in Creative Industries and Digital Culture at the Department of Cultural, Media and Visual Studies, University of Nottingham, UK.

More from this author