Cultural Renewal

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academic anti-intellectualism
aesthetic philosophy
Anselm's Argument
Anselm’s Argument
Category=JHB
Empirical Scholasticism
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eq_nobargain
eq_non-fiction
eq_society-politics
existential cultural theory
fine
freedom
Good Life
Guido Von List
intellectual history
Intelligible Perfection
Interior Magister
Kantian Modernism
Lanz Von Liebenfels
Liberal Arts
Master Slave Dialectic
Materialistic Hedonism
Meaningful Completion
Modernist Postmodernist Tradition
ontological
Ontological Harmony
ontological idealism
Ontological Perfection
Open Narcissism
perfection
philosophy of art and culture
Qualitative Continuum
Qualitative Ontology
Qualitative Realism
qualitative standards in education
reality
Relational Knowledge Centers
responsible
Responsible Freedom
Transcendent Perfection
Understand Reality
understanding
Young Man
Zhu Xi

Product details

  • ISBN 9781138508859
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The decline of interest in the liberal and fine arts is widely lamented. At issue is why this decline happened and how we might restore qualitative standards by which to live. Arthur Pontynen argues that cultural decline is the consequence of a tragically anti-intellectual academic tradition and its alternative is the cosmopolitan pursuit of wisdom and beauty.

Pontynen writes that the liberal and fine arts are justified by their attempt to understand the material realization of wisdom, of that which is true and good in reality and life. The current decline marks a denial that such qualitative aspirations are realistic. Instead of understanding art as the intellectual pursuit of ontological perfection, perfection is subjectified as willful preference or experience. Consequently, the liberal and fine arts have been displaced by a naturalistic social science and a relational existentialism. This reduction denies qualitive thoughts, words, and deeds.

Pontynen establishes that the arts are not obsolete, merely subjectivist, or limited to a brutal (de)constructivism. He argues for a renewed idealism that is neither reductionist, trivializing, or brutalized. Pontynen offers an alternative, global narrative that is both realistic and idealistic; one that permits us to distinguish between the trivial, the brutal, and the profound.