Cultural Resistance, 9/11, and the War on Terror

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11 cultural studies
A01=Jenifer Chao
Author_Jenifer Chao
BIN
Bin Laden's Body
Bin Laden’s Body
Black Panther Party
Book Taliban
Category=AB
Category=GLZ
Category=JBCC
Category=JPA
Category=JPS
Category=NH
Category=WTHM
Dead Prez
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
Global Hip Hop Nation
God Bless America
Good Life
ground zero
Hip Hop
Hip Hop Album
Hip Hop Rhythms
Hollywood Disaster Movies
interventions
Literary Telling
Mainstream Hip Hop
Muslim Bodies
Muslim representation media
Official National History
Original Color Version
Popular Culture
popular media opposition
post-9
Prayer Hall
RanciA?re theory application
Reluctant Fundamentalist
Roland Barthes's Camera Lucida
Roland Barthes’s Camera Lucida
sensorial resistance in contemporary politics
Situation Comedy
Situation Comedy Genre
sonic resistance analysis
Speaking Subject
Tabloid Geopolitics
Vice Versa
visual culture critique
war on terror

Product details

  • ISBN 9781138710887
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Cultural Resistance, 9/11, and the War on Terror: Sensible Interventions offers a fresh account of the enduring cultural legacies of the September 11, 2001 terror attacks and the global war on terror through the critical lens of cultural resistance. It assesses the intersecting ways that popular culture has been deployed as oppositional practice in the post-9/11 context by documenting a collection of media texts, including a political hip hop album, a TV sitcom, a best-selling novel and studio photographs. Deviating from the conventional discursive and representative axis of mourning, nationalism and commemoration, this multimedia assemblage contests and rearticulates the political meanings, affects and visualizations of the war on terror and its global consequences.

Drawing on the theoretical work of Jacques Rancière, the book also argues that these cultural artefacts are extending cultural resistance by shifting the scenes and methods of opposition to the realm of the sensible, or sensorial experiences. Never celebratory, the book encapsulates the potential of cultural practices against restricted post-9/11 regimes of visibility and audibility in the public sphere, but it also remains attentive to their blind spots, contradictions and constraints. This book offers a new angle to consider the events of 9/11, the war on terror and their continual effects, one that blurs established visions of patriotism and grief.

Jenifer Chao is a Lecturer in the Leicester Media School at De Montfort University. Her research is situated at the confluence of cultural analysis, in particular visual culture, and International Relations. It focuses on the diverse ways that politics and aesthetics converge – most often with oppositional intentions – to address issues such as identity, globalization and terrorism. Her research articles have appeared in NECSUS: European Journal of Media Studies, Continuum: Journal of Media & Cultural Studies and Media, War & Conflict.

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