Home
»
Cultural Rights
A01=Celia Lury
Author_Celia Lury
branding and identity formation
Broadcasting Institutions
Brokerage System
Category=JBCC
Category=JHM
Category=NHTB
Commercial Broadcasting
Common Carrier
Contemporary Societies
creative
Creative Labour
Cultural Reproduction
Cultural Works
culture
Culture Industry
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Flat Character
gender and media studies
goods
IBA
Independent Television
Information Society Thesis
intellectual
intellectual property theory
labour
Literary Reproduction
Modern Cultural Technologies
originality in digital culture
Pop Star
postmodern authenticity
production
property
Public Service Broadcasting
reproduction
simulation in society
social
Social Reproduction
sociology of media
Telecommunications
Television System
Unlimited
USA
Virtual Inclusion
West Germany
Women's Studies Group
Women’s Studies Group
works
Product details
- ISBN 9780415095785
- Weight: 362g
- Dimensions: 138 x 216mm
- Publication Date: 27 May 1993
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Cultural Rights aims to combine sociology of culture and cultural studies approaches to provide an innovative interpretation of contemporary culture. It develops Walter Benjamin's arguments on the effects of mechanical reproduction by seeing what has happened to originality and authenticity in postmodern culture. One aspect of this culture is that reproduction and simulation have become listless, so that distinguishing what is real from what is fabricated is a problem of daily life for everyone. Celia Lury establishes a clear framework for studying these matters by comparing a regime of cultural rights ordered by copyright, authorship and originality with one defined by trademark, branding and simulation. This move is illustrated through concise and accessible histories of three major cultural technologies - print, broadcasting and information technology - and the presentation of research into the contemporary culture industry. The gendered dimensions of this transformation are explored by looking at the significance of the category of women in the process of cultural reproduction.
Celia Lury lectures in Women’s Studies and Cultural Studies in the sociology department of Lancaster University.
Qty:
