Culturally Sustaining Pedagogies in Music Education

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A01=Emily Good-Perkins
ABRSM
African American
alternative musical epistemologies
American Music Education
Approach Music Teaching
Author_Emily Good-Perkins
Category=AVS
Category=JBSD
Category=JN
Category=JNDG
Category=JNF
Category=YPA
CSP
Culturally responsive education
Culturally responsive pedagogy
Culturally responsive teaching
Culturally sustaining music pedagogy
Culturally sustaining pedagogy
Decolonizing music education
Django Paris
Educational Justice
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Eurocentric Epistemology
General Music Classroom
Head Voice
John Curwen
minoritized student engagement
multicultural music instruction
Music Classroom
Music colonialism
music curriculum reform
Music diversity
Music Education
Music Education Practice
Music identity
Music Teacher Education
Music Teacher Education Program
Music Teaching
Musical cultures
Musical Embodiment
Musical Epistemologies
Musical-cultural identity
Ontological Distance
Qualitative Case Study Research
qualitative classroom research
Social justice in music education
Sol Fa
sustaining diverse musical identities framework
Tonic Sol Fa
Tonic Sol Fa Method
Tonic Sol Fa Movement
urban school music practices
Western Classical Music

Product details

  • ISBN 9780367568221
  • Weight: 240g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume problematizes the historic dominance of Western classical music education and posits culturally sustaining pedagogy (CSP) as a framework through which music curricula can better serve increasingly diverse student populations.

By detailing a qualitative study conducted in an urban high school in the United States, the volume illustrates how traditional approaches to music education can inhibit student engagement and learning. Moving beyond culturally responsive teaching, the volume goes on to demonstrate how enhancing teachers’ understanding of alternative musical epistemologies can support them in embracing CSP in the music classroom. This new theoretical and pedagogical framework reconceptualizes current practices to better sustain the musical cultures of the minoritized.

This text will benefit researchers, academics, and educators with an interest in music education, multicultural education, and urban education more broadly. Those specifically interested in ethnomusicology and classroom practice will also benefit from this book.

Emily Good-Perkins is an Instructor of Voice, Vocal Pedagogy, and the History and Philosophy of Music Education. She is also the Founder and Executive Director for the non-profit organization, Voicing Futures.

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