Curating Lively Objects

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Aboriginal Human Remains
Audience
Australian South Sea Islander
Bio Art
Biomedical Art
Bison
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Category=AGA
Category=AGC
Category=GB
Category=GLZ
Category=JBSL11
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Creativity
Cultural
Culture
Curating
Curation
Curator
decolonial museology
Decolonisation
Deep Red
Digital
Disciplinary
DNA Code
Ecology
environmental humanities
Epistemic Things
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Exhibition
Feminism
feminist curatorial practice
Great Barrier Reef
Indigenous
Indigenous epistemologies
Inter Caetera
interdisciplinary museum research
Ionat Zurr
Knowledge
Lively
Lively Objects
Massacre Site
material culture theory
Moment Of Truth
Museum Of Natural History
Natural History Museum
new materialism
Nickel Beads
Objects
Organisation
Partnership
Perspective
Post-disciplinary
Public Engagement
SCUM Manifesto
Sea Grass
Spirit Molecule
Sugar Cane Industry
Tabletop
Wander
Wo

Product details

  • ISBN 9781032050621
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Curating Lively Objects explores the role of things as catalysts in imagining futures beyond disciplines for museums and exhibitions. Authors describe how their curatorial collaborations with diverse objects, from rocks to robots, generate new ways of organising and sharing knowledge.

Bringing together leading artists and curators from Australia and Canada, this volume addresses object liveliness from a range of entwined perspectives, including new materialism, decolonial thinking, Indigenous epistemologies, environmentalism, feminist critique and digital aesthetics. Foregrounding practice-based curatorial scholarship, the book focuses on rigorous reflexive accounts of how curating is done. It contributes to global topics in curatorial research, including time and memory beyond and before disciplinarity; the relationship between human and non-human across different ontologies; and the interaction between Indigenous knowledge and disciplinary expertise in interpreting museum collections.

Curating Lively Objects will be of interest to scholars and students in the fields of curatorial studies, museum studies, cultural heritage, art history, Indigenous studies, material culture and anthropology. It also provides a vital resource for professionals working in museums and galleries around the world who are seeking to respond creatively, ethically and inclusively to the challenge of changing disciplinary boundaries.

Lizzie Muller is a curator and researcher specialising in audience experience, reflective-curatorial practice and changing disciplinary formations in museums. She is Associate Professor at UNSW, Sydney.

Caroline Seck Langill is a writer and curator who researches intersections between art and science, and the related fields of media art history. She is Professor at OCAD University, Toronto, Ontario.