Curating the Commons

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A01=Katia Arfara
archaeology
Athens
Author_Katia Arfara
belonging
border
Brussels
Cape-Town
Category=AB
Category=AGT
Category=JBSD
climate crisis
colonialism
commons
curating
decolonization
documentary
ecology
ecosystem
engaged audience
environmental humanities
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Global South
Greece
heterotopia
homeland
homelessness
human rights
installation
interdisciplinarity
intermediality
invasive species
landscape
latent commons
liveness
marginalization
Mediterranean sea
memory
migration
mobility
monument
more-than-human
multispecies
national heritage
native species
natural history museum
palimpsest
precarity
Public art
public parks
refugees
Singapore
site-specificity
slow curating
smallness
socially engaged art
solidarity initiatives
St Petersburg
surveillance
theater of the real
third space
Tokyo
undercommons
urban commons
urban gardens
urban nature
wild life
world fairs

Product details

  • ISBN 9780472057795
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Oct 2025
  • Publisher: The University of Michigan Press
  • Publication City/Country: US
  • Product Form: Paperback
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Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvre’s theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons.

By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events.

Katia Arfara is Assistant Professor of Theater and Performance Studies at New York University Abu Dhabi and independent curator.

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