Curating Transcultural Spaces

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Anton Wilhelm Amo
Arieh Sharon
Benin artefacts
Benin Bronzes
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Category=NHD
Category=NHH
Category=NHTQ
Contemporary Arts
curatorial strategies
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eq_history
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Ethnographic museums
Flexible exhibition module
Kunstkamera
multidirectional memory
Okwui Enwezor
Permanent exhibition
Prussian Heritage Foundation
The African Diaspora Palace
University of Ife

Product details

  • ISBN 9781350227767
  • Weight: 440g
  • Dimensions: 154 x 232mm
  • Publication Date: 21 Aug 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Curating Transcultural Spaces asks what a museum which enables the presentation of multiple perspectives might look like. Can identity be global and local at the same time? How may one curate dual identity? More broadly, what is the link between the arts and processes of identity construction?

This volume, an indispensable source for the process of engaging with colonial history in Germany and beyond, takes its starting point from the 'scandal' of the Humboldt Forum. The transfer of German state collections from the Ethnological Museum and the Museum for Asian Art, located at the margins of Berlin in Dahlem, into the centre of Germany's capital indicates the nation’s aspiration of purported multiculturalism and cosmopolitanism; yet the project’s resurrection of the site’s former Prussian city palace, which was demolished during the GDR, stands in opposition to its very mission, given that the Prussian rulers benefited from colonial exploitation. By examining the contrasting successes of other projects, such as the National Museum of African American History and Culture in Washington DC, Curating Transcultural Spaces compellingly argues for the necessity of taking post-colonial thinking on board in the construction of museum spaces in order to generate genuine exchange between multiple perspectives.

Sarah Hegenbart is a Lecturer in Art History at Technical University Munich, Germany. Prior to this, she worked as an Associate Lecturer at the Courtauld Institute, where she also undertook her doctoral research, and as Curator of Art at Pembroke College, UK. She has also worked in the cultural section at the German Embassy in London, after completing an M.St. in Ancient Philosophy at the University of Oxford and a Magister in Philosophy and History of Art at the Humboldt University of Berlin.