Curating Worlds

Regular price €33.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Emma Bond
actor-network theory
archives
arrangement
Author_Emma Bond
Beyonce
Blameless
Category=DSBJ
Category=DSK
Category=DSM
Category=GLZ
Claudio Magris
co-creation
collaboration
collage
collecting
collections m
colonialism
commemoration
conservation
contemporary fiction
curating
Dasa Drndic
database
deaccession
Depot Boijmans Van Beuningen
display
documentation
Emily St John Mandel
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ethiopia
Flights
Gorizia
heritage management
Important Artifacts
Istanbul
Italian colonialism
Italy
Jewish history
Joseph Cornell
Josephinum
Judith Schalansky
Kader Attia
Leanne Shapton
Lost Children Archive
Louvre
Maaza Mengiste
Maria Stepanova
material culture
migration
Museo della Guerra
museum collections
Museum of Broken Relationships
Museums
narrative design
objects
Olga Tokarczuk
Orhan Pamuk
orientation
plot
post-object futures
relationality
reparative justice
restitution
salvage aesthetics
San Sabba
Second World War
selection
space
spatial narrative
storage
The Museum of Innocence
The Shadow King
Trieste
Valeria Luiselli
Vienna
world literature
world-making

Product details

  • ISBN 9780810147959
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Mar 2025
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
Showing how museum practices shed new light on literary form

How and why do books deploy objects in order to narrate the past? To answer this question, Emma Bond sifts through collections of objects stored in boxes, drawers, baskets, and displayed on shelves in contemporary texts by authors such as Valeria Luiselli, Maaza Mengiste, Orhan Pamuk, and Olga Tokarczuk and interprets them using a framework of museum practices. These practices, which include collection, curation, conservation, and display, have helped to turn real-life museums into three-dimensional narrative spaces. Curating Worlds: Museum Practices in Contemporary Literature shows how we can use this same set of practices to shed light on literary form itself: how stories are created, shaped, and communicated. Harnessing museum practices as an innovative lens for critical interpretation, Bond provides a fresh theoretical framework to engage with the meanings of object collections in literature and to make sense of the lives, and afterlives, of things today.

Emma Bond is a professor of Italian and comparative studies at Oriel College, University of Oxford. Her books include Writing Migration through the Body, and she has served as an advisor or guest curator for a number of museums, including V&A Dundee, the Watt Institution, and the Wardlaw Museum.

More from this author