Cure's Disintegration

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4:13 Dream
A01=Andi Harriman
alternative rock
Andy Anderson
Author_Andi Harriman
Bloodflowers
Boris Williams
Category=AVC
Category=AVP
Crawley
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eq_music
eq_nobargain
eq_non-fiction
forthcoming
gothic rock
Jason Cooper
Kiss Me
Lol Tolhurst
Matthieu Hartley
Michael Dempsey
Perry Bamonte
Phil Thornalley
Porl Thompson
post-punk
Reeves Gabrels
Robert Smith
Roger O'Donnell
Seventeen Seconds
Simon Gallup
The Head on the Door
Three Imaginary Boys
UK

Product details

  • ISBN 9798765132982
  • Dimensions: 121 x 165mm
  • Publication Date: 15 Oct 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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This book begs the question: why should an album make you feel good?

In 1989, The Cure’s Robert Smith was going to turn thirty years old. His fears and anxieties of age—having not yet written his pinnacle album—caused Smith to embark on the band’s undoing with Disintegration. The result was an LP drenched in melancholy sublime, a beautiful decree of breaking down to build anew. From the fame and notoriety of The Cure after their hit, “Just Like Heaven,” to the departure of the only other consistent band member, Lol Tolhurst, it’s clear that the grisly spiral into the depths of pain is stamped throughout Disintegration.

This book explores the depths of Smith’s masterpiece by way of the French Modernist Charles Baudelaire and his poem, “Spleen.” Much like Smith, Baudelaire took his temperament and softened the edges of sorrow, transforming it into a mass of supercharged emotion: a tenuous concoction of sin and sex, lust and monstrosity, self-hatred and fear… all cauterized by the malaise (and acceptance) of eternal melancholy.

And through Disintegration lies Robert Smith’s corpus—his spleen. It’s here that The Cure’s upheaval and Smith’s heroic martyrdom became the catalyst for his masterpiece.

Andi Harriman is a music journalist who writes mostly about all things Eighties-centric. She has written for Rolling Stone, Bandcamp Daily, LA Weekly, and Village Voice, among others. She is the author of Some Wear Leather, Some Wear Lace: A Worldwide Compendium of Postpunk and Goth in the 1980s (2014).

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