Current Controversies in Philosophy of Film

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A01=Katherine Thomson-Jones
Affective Matching
Angela Curran
Author_Katherine Thomson-Jones
Berys Gaut
Carl Plantinga
Category=ATF
Category=JBCT
Category=QD
Category=QDTN
Cinematic Art Form
Cinematic Artwork
Cinematic Medium
Cinematic Philosophy
Cinematic Technology
cognitive
Cognitive Film Theorists
Dan Shaw
digital
Digital Cinema
Digital Dystopia
Digital Movie
dystopia
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film Viewing Experience
George M. Wilson
heuristic
Marco Iacoboni
Mediated Imagined
mirror
Mirror Neurons
motion
Motion Picture Maker
Motion Picture Narration
Movie Appreciation
Murray Smith
Narrative Fiction Films
neurons
Noel Carroll
Philosophical Thought Experiment
pictures
realistic
Realistic Heuristic
Robert Hopkins
Sensuous Embodiment
Simulation Theory
Structuring Narrative Imagination
theorists
Thomas E. Wartenberg
Vice Versa
Young Man

Product details

  • ISBN 9780367869946
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, how narrative fiction films narrate, how we engage emotionally with films, and whether films can philosophize. Two new essays by leading figures in the field present different views on each issue. The paired essays contain significant points of both agreement and disagreement; new theories and frameworks are proposed at the same time as authors review the current state of debate. Given their combination of richness and clarity, the essays in this volume can effectively engage both students, undergraduate or graduate, and academic researchers.

Katherine Thomson-Jones is an associate professor of philosphy at Oberlin College.

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