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Dan Budnik: Marching To The Freedom Dream
Dan Budnik: Marching To The Freedom Dream
★★★★★
★★★★★
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Product details
- ISBN 9781907112478
- Weight: 1680g
- Dimensions: 240 x 280mm
- Publication Date: 05 May 2015
- Publisher: Trolley Books
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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Marching To The Freedom Dream presents American photojournalist Dan Budnik’s significant body of work documenting three seminal marches of the civil rights movement. It is published to coincide with the 50th anniversary of the Civil Rights Act of 1964, and precedes the 50th anniversaries of the Selma-Montgomery March and the Voting Rights Act in 2015. A foreword to the book is written by prolific civil rights activist, Harry Belafonte.
The book begins with the peaceful Youth March for Integrated Schools in 1958, organised by Harry Belafonte and Bayard Rustin, where the White House gates were rudely slammed in the faces of the petitioners. We then move to the iconic March On Washington in August 1963, where Dr. Martin Luther King Jr delivered his monumental “I Have a Dream” speech.
The book culminates with the unprecedented and triumphant 54 mile Selma to Montgomery March in 1965. This was Dr. King’s greatest achievement where he led marchers, which at times swelled to 1000’s of people when safety conditions permitted, through some of the most segregated areas of rural Alabama, the heart of racist Dixie. Budnik’s images capture the non-violent solidarity of the participants. He salutes the diversity and passion of the marchers ranging from all walks of life who were willing to serve and sacrifice.
Alongside Budnik’s black and white photographs, his newly found colour work has been included in the volume, with his own handwritten captions accompanying the images, providing a more contextual and personal information on the marches’ participants.
A photohistoric context was written by photographer and scholar James L. Enyeart, former director of the Center for Creative Photography in Tucson, Arizona and the George Eastman House in Rochester, NY.
“Dan Budnik is amongst American photography’s best kept secrets. His exceptional images from the Civil Rights era have been rarely seen since they were taken half a century ago....his portrait of Martin Luther King Jr. adorns one of TIME’s most memorable covers.” – Phil Bicker, Senior Photo Editor at TIME.
The book begins with the peaceful Youth March for Integrated Schools in 1958, organised by Harry Belafonte and Bayard Rustin, where the White House gates were rudely slammed in the faces of the petitioners. We then move to the iconic March On Washington in August 1963, where Dr. Martin Luther King Jr delivered his monumental “I Have a Dream” speech.
The book culminates with the unprecedented and triumphant 54 mile Selma to Montgomery March in 1965. This was Dr. King’s greatest achievement where he led marchers, which at times swelled to 1000’s of people when safety conditions permitted, through some of the most segregated areas of rural Alabama, the heart of racist Dixie. Budnik’s images capture the non-violent solidarity of the participants. He salutes the diversity and passion of the marchers ranging from all walks of life who were willing to serve and sacrifice.
Alongside Budnik’s black and white photographs, his newly found colour work has been included in the volume, with his own handwritten captions accompanying the images, providing a more contextual and personal information on the marches’ participants.
A photohistoric context was written by photographer and scholar James L. Enyeart, former director of the Center for Creative Photography in Tucson, Arizona and the George Eastman House in Rochester, NY.
“Dan Budnik is amongst American photography’s best kept secrets. His exceptional images from the Civil Rights era have been rarely seen since they were taken half a century ago....his portrait of Martin Luther King Jr. adorns one of TIME’s most memorable covers.” – Phil Bicker, Senior Photo Editor at TIME.
Born in Long Island, Dan Budnik studied painting at the Art Students’ League of New York. After being drafted, he started photographing the New York school of Abstract Expressionist and Pop Artists in the mid-fifties, making it a primary focus for several decades. He completed major photo-essays on Willem de Kooning and David Smith, among many other artists. It was his teacher Charles Alston at the Art Students’ League of New York, the first African American to teach at the League, who inspired his interest in documentary photography and the budding Civil Rights Movement.
In 1957, he started working at Magnum Photos in New York, assisting several photographers, notably Cornell Capa, Burt Glinn, Eve Arnold, Ernst Haas, Eric Hartmann, and Elliott Erwitt. In March 1958, Budnik travelled to live with the underground in Havana for 6 weeks during the Cuban revolution. Budnik continued to work with Magnum part time, until he joined as an associate member in 1963. A year he left Magnum and continued specializing in essays for leading national and international magazines, focusing on civil and human rights, ecological issues and artists.
Since 1970 Budnik has worked with the Hopi and Navaho traditional people of northern Arizona, and received for this work a National Endowment for the Arts Grant in 1973 and a Polaroid Foundation Grant in 1980. In 1998 he was the recipient of the Honor Roll Award of the American Society of Media Photographers. He lived and worked in Tucson and Flagstaff, Arizona, and died in 2020.
In 1957, he started working at Magnum Photos in New York, assisting several photographers, notably Cornell Capa, Burt Glinn, Eve Arnold, Ernst Haas, Eric Hartmann, and Elliott Erwitt. In March 1958, Budnik travelled to live with the underground in Havana for 6 weeks during the Cuban revolution. Budnik continued to work with Magnum part time, until he joined as an associate member in 1963. A year he left Magnum and continued specializing in essays for leading national and international magazines, focusing on civil and human rights, ecological issues and artists.
Since 1970 Budnik has worked with the Hopi and Navaho traditional people of northern Arizona, and received for this work a National Endowment for the Arts Grant in 1973 and a Polaroid Foundation Grant in 1980. In 1998 he was the recipient of the Honor Roll Award of the American Society of Media Photographers. He lived and worked in Tucson and Flagstaff, Arizona, and died in 2020.
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