Dance-Punk

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1970s
1980s
2000s
A01=Larissa Wodtke
A01=Professor or Dr. Larissa Wodtke
Age Group_Uncategorized
Age Group_Uncategorized
Author_Larissa Wodtke
Author_Professor or Dr. Larissa Wodtke
automatic-update
bands
Category1=Non-Fiction
Category=ASD
Category=AVC
Category=AVG
Category=AVL
COP=United States
dance
dance music
Delivery_Delivery within 10-20 working days
disco
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
genre
Language_English
music
New Wave
PA=Available
post-punk
Price_€10 to €20
PS=Active
punk
softlaunch

Product details

  • ISBN 9781501381867
  • Weight: 237g
  • Dimensions: 126 x 196mm
  • Publication Date: 06 Apr 2023
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Beginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. Also sometimes referred to as disco-punk and funk-punk, it skirts, overlaps, and blurs into other genres including post-punk, post-disco, new wave, mutant disco, and synthpop.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

Larissa Wodtke works in the Office of Research and Innovation at The University of Winnipeg, Canada, where she is also a member of the Centre for Research in Cultural Studies. She has published research on popular music, memory, irony, temporality, labour, neoliberalism, and digital texts, including co-authoring the book Triptych: Three Studies of Manic Street Preachers’ The Holy Bible (2017).

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