Dancing Revolution

Regular price €100.99
A01=Christopher J. Smith
Age Group_Uncategorized
Age Group_Uncategorized
antebellum dance in New Orleans
Author_Christopher J. Smith
automatic-update
blackface
Category1=Non-Fiction
Category=ASD
Category=ATQ
Category=AVA
Category=HBTB
Category=JBSL
Category=JFSL4
Category=NHTB
class
COP=United States
creole
creole dance
creolization and antebellum dance
cultural geography
dance
dancing and protest
dancing and protest movements. anti-hegemonic protest and dance
Delivery_Delivery within 10-20 working days
enclosure
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
evangelism
film
Ghost Dance
Ghost Dance and protest
hegemony
hip hop
intersectional study of dance
Josephine Baker
Language_English
maritime
Marx Brothers
modernism and African American popular dance
Music
musicology
noise
PA=Available
politics rebellion
Price_€100 and above
PS=Active
public dance
public demonstrations of dance
public movement
public movement and hip-hop
punk rock
racial integration and dance
racial integration and popular dance
resistance
riverine
role of dance in protest movements
Shakers
Shakers and protest
softlaunch
space
subaltern
vernacular

Product details

  • ISBN 9780252042393
  • Weight: 540g
  • Dimensions: 156 x 235mm
  • Publication Date: 15 May 2019
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Throughout American history, patterns of political intent and impact have linked the wide range of dance movements performed in public places. Groups diverse in their cultural or political identities, or in both, long ago seized on street dancing, marches, open-air revival meetings, and theaters, as well as in dance halls and nightclubs, as a tool for contesting, constructing, or reinventing the social order.

Dancing Revolution presents richly diverse case studies to illuminate these patterns of movement and influence in movement and sound in the history of American public life. Christopher J. Smith spans centuries, geographies, and cultural identities as he delves into a wide range of historical moments. These include the God-intoxicated public demonstrations of Shakers and Ghost Dancers in the First and Second Great Awakenings; creolized antebellum dance in cities from New Orleans to Bristol; the modernism and racial integration that imbued twentieth-century African American popular dance; the revolutionary connotations behind images of dance from Josephine Baker to the Marx Brothers; and public movement's contributions to hip hop, antihegemonic protest, and other contemporary transgressive communities' physical expressions of dissent and solidarity.

Multidisciplinary and wide-ranging, Dancing Revolution examines how Americans turned the rhythms of history into the movement behind the movements.

Christopher J. Smith is a professor, chair of musicology, and founding director of the Vernacular Music Center at the Texas Tech University School of Music. He is the author of the award-winning book The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy.