Danish Avant-Garde and World War II

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Kerry Greaves
Air Post
appropriation
art and politics
art journal
artists' collective
Asger Jorn
Author_Kerry Greaves
avant-garde
avant-garde art
avant-garde collective under Nazi occupation
Berlingske Tidende
Carl-Henning Pedersen
Category=ABA
Category=AGA
Category=JP
Category=N
Category=NHD
Category=NHWL
Category=NHWR7
Cobra
Cobra Artists
Contemporary Society
Copenhagen
cultural activism theory
Danish Art
Danish Communist Party
Danish Cultural Establishment
Danish Culture
Danish modern art
Danish Modernism
Degenerate Art
Denmark
Egill Jacobsen
Ejler Bille
Else Alfelt
Entire Danish Population
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
European modernism
European studies
exhibition history
exhibitions
experimental
Fairy Tale
Feathered Serpent
German occupation
Gestural Abstraction
Golden Age Painters
Helhesten
Henry Heerup
International Art Exhibition
Intimate Banalities
King Christian VI
Land Og Folk
Le Corbusier
ludic
modern art
Modern Breakthrough
modernism
Nazi Cultural Policy
painterly abstraction
Penetrable Body
politics
Royal Danish Library
Surrealist Exhibition
twentieth-century art
war
wartime cultural resistance
World War II

Product details

  • ISBN 9781032475738
  • Weight: 417g
  • Dimensions: 174 x 246mm
  • Publication Date: 21 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This is the first book to focus on Helhesten (The Hell-Horse), an avant-garde artists’ collective active during the Nazi occupation of Denmark and one of the few tangible connections between radical European art groups from the 1920s to the 1960s. The Danes’ deliberately unskilled painterly abstraction, embrace of the tradition of dansk folkelighed (the popular) and its iterations of egalitarianism and consensus reform, called for the political relevance of art and interrogated the ideologies underlying culture itself. The group’s cultural activism presents an alternative trajectory of continuity, which challenges the customary view of World War II as a moment of artistic rupture.

Kerry Greaves is Mads Øvlisen Postdoctoral Research Fellow in Art History in the Department of Arts and Cultural Studies at the University of Copenhagen, Denmark.

More from this author