Dante’s Bones

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Benito Mussolini
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cenotaph
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Corrado Ricci
Dante's body
Dante's death
Dante's exile
Dante's face
Dante's tomb
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Gabriele D'Annunzio
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Italian history
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Lord Byron
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Risorgimento
Santa Croce
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Ugo Foscolo

Product details

  • ISBN 9780674980839
  • Weight: 735g
  • Dimensions: 156 x 235mm
  • Publication Date: 12 May 2020
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship.

Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished.

In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.

Guy P. Raffa is Associate Professor of Italian Studies at the University of Texas at Austin. His previous books include The Complete Danteworlds: A Reader’s Guide to the Divine Comedy and Divine Dialectic: Dante’s Incarnational Poetry. His work has been supported by the National Endowment for the Humanities and highlighted in the New Yorker and Los Angeles Times. His website is www.guyraffa.com.

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