Dante's Vision and the Circle of Knowledge

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A01=Giuseppe Mazzotta
Absalom
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Allegory
Appearance and Reality
Aristotelianism
Author_Giuseppe Mazzotta
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Averroes
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Chiasmus
Ciacco
Conceit
Contrapasso
Convivio
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Cosmological constant
Dante's Dream
De Inventione
De Ira
De Officiis
De spectaculis
De vulgari eloquentia
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Dialectic
Dynamism (metaphysics)
Elocutio
Epicureanism
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eq_biography-true-stories
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Eros and Psyche (Robert Bridges)
Ethics (Spinoza)
Exegesis
Fraticelli
Goliard
Guido Cavalcanti
Illusionism (philosophy)
Inventio
La Vita Nuova
Lactantius
Language_English
Metaphor
Metatron
Modistae
Mythology
Neoplatonism
Newton's law of universal gravitation
Newton's method
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Petrarch
Philosopher
Philosophical language
Philosophy
Physics (Aristotle)
Plautus
Plotinus
Poetry
Polemic
Policraticus
Predestination
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Prudentius
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Purgatorio
Pythagoreanism
Qualia
Quinque viae
Quintilian
Rhetoric
Scholasticism
Scientism
Siger of Brabant
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Summa Theologica
Synecdoche
Tenso
The Dream of Scipio (novel)
The Philosopher
Theology
Trivium
Trojan War
Truism
Turnus
Tyche

Product details

  • ISBN 9780691636986
  • Weight: 794g
  • Dimensions: 178 x 254mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In a masterly synthesis of historical and literary analysis, Giuseppe Mazzotta shows how medieval knowledge systems--the cycle of the liberal arts, ethics, politics, and theology--interacted with poetry and elevated the Divine Comedy to a central position in shaping all other forms of discursive knowledge. To trace the circle of Dante's intellectual concerns, Mazzotta examines the structure and aims of medieval encyclopedias, especially in the twelfth and thirteenth centuries; the medieval classification of knowledge; the battle of the arts; the role of the imagination; the tension between knowledge and vision; and Dante's theological speculations in his constitution of what Mazzotta calls aesthetic, ludic theology. As a poet, Dante puts himself at the center of intellectual debates of his time and radically redefines their configuration. In this book, Mazzotta offers powerful new readings of a poet who stands amid his culture's crisis and fragmentation, one who responds to and counters them in his work. In a critical gesture that enacts Dante's own insight, Mazzotta's practice is also a fresh contribution to the theoretical literary debates of the present. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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