Dark Waves

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1970s
A01=Neil O'Connor
analysis
Author_Neil O'Connor
British music
Cabaret Voltaire
Category=AVLP
Category=AVX
Category=JBCC1
Commercial
Concrete Britain
Electronic
electronic music
electronics
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Gary Numan
John Foxx
music
music studies
musicology
pop
popular music
post-punk
Punk
reference
technology
The Normal
Throbbing Gristle
Visage

Product details

  • ISBN 9781538165300
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Feb 2023
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Between 1977 and 1980, Britain was a country and culture in flux. The threat of nuclear war, mass unemployment, and strikes made it a particularly gloomy period historically. Within this, a growing number of electronic music acts were using technology and the synthesizer to soundtrack changing times.
Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977- 80) is the first musicological collection of essays on acts that include Throbbing Gristle, Cabaret Voltaire, and The Human League, mapping how the synthesizer spurred toward a fundamental shift in the mechanisms of electronic musicmaking in late 1970s. The volume traces how, along with the musical aesthetics established by both the Punk and Post-Punk movements, the synthesizer led to new and innovative effects, ideas, processes, and musical genres. Dark Waves explores the background, influences, and use of technology and how such developments would result in the more commercial electronically produced sound of 1980s synth pop which, in turn, shaped the sound of electronic music today.

DR. NEIL O’CONNOR is electronic music producer and academic at DMARC (Digital Media Arts Research Centre), Department of Computer Science and Information Systems, University of Limerick, Ireland.

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