Dead Letters

Regular price €79.99
Title
Quantity:
Will Deliver When Available
Will Deliver When Available
14 days return policy Shipping & Delivery
A01=Halle O'Neal
Affect
Author_Halle O'Neal
Book History
Buddhist material culture
Category=AGA
Category=NHF
Category=QRFP
Death rituals
Epistolary
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
forthcoming
Heian period
History of emotion
Kamakura period
Letters
Material Culture
Mourning
Object biography
Palimpsest
Thing Tactility
Women's history

Product details

  • ISBN 9780674307483
  • Dimensions: 178 x 254mm
  • Publication Date: 01 Dec 2026
  • Publisher: Harvard University, Asia Center
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

In Dead Letters, Halle O’Neal explores how inventive makers in medieval Japan, haunted by love and loss, turned to things left behind in the wake of a loved one’s death—specifically, the letters they once exchanged. Since the ninth century, mourners reused and recycled the epistles of the dead for the copying of sacred Buddhist scripture to create what are known as “letter sutras.” Although these sutras have punctuated the personal histories and material culture of famous figures throughout Japan’s history, as objects they remained largely hidden in plain sight. By foregrounding their production, materiality, and haptic qualities, O’Neal recaptures the vivid tales woven together by the interaction of the maker as mourner and the beloved as original letter writer. She pays careful attention to gender, embodiment, emotions, and invisibility to analyze the multidimensional layers of these palimpsests that offered both an outlet for grief and prayer for salvation.

Through their manifestation, letter sutras bring together multiple layers of religious and cultural significance for mourner and mourned. This beautifully illustrated volume centers the emotional intimacy of used objects and the charged nature of embodiment that lies at the root of private devotional practice even today.

Halle O’Neal is a Reader in Japanese Buddhist Art in the History of Art Department and co-director of the Edinburgh Centre for Buddhist Studies at the University of Edinburgh. She is also co-editor of the journal Buddhist Studies Review and a trustee of the Association for Art History.

More from this author