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A01=Jonathan Rosenbaum
argue
Author_Jonathan Rosenbaum
Category=ATFA
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film
film and television
film history
history

Product details

  • ISBN 9780851708065
  • Weight: 160g
  • Dimensions: 134 x 188mm
  • Publication Date: 01 Jul 2000
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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When it was released in 1995, Dead Man puzzled many audiences and critics. Jim Jarmusch’s reputation was for directing slick, hip contemporary films. And Dead Man was a black-and-white Western. As time has passed, though, the number of its admirers has grown rapidly. Indeed Dead Man, with its dark and unconventional treatment of violence, racism and capitalism, may be Jarmusch’s finest work to date.

This is Jonathan Rosenbaum’s view. For him, Dead Man is both a quantum leap and a logical next step in Jarmusch’s career. Starring Johnny Depp as the uprooted accountant William Blake and Gary Farmer as his enigmatic Native American companion, Nobody, and with startling cameos from Robert Mitchum, John Hurt and Iggy Pop, Dead Man is by turns shocking, comic and deeply moving. This book explorers and celebrates a masterpiece of 1990s American cinema.

Jonathan Rosenbaum is the film critic of the Chicago Reader. Among his books are Placing Movies (1995); Movies as Politics (1997); and a study of Greed (1993) in the BFI Film Classics series.

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