Deadline

Regular price €29.99
21st century
A01=Robert Samet
academic
Age Group_Uncategorized
Age Group_Uncategorized
anthropological
anthropologist
anthropology
Author_Robert Samet
automatic-update
caracas
Category1=Non-Fiction
Category=HBJK
Category=JBCC
Category=JFC
Category=JK
Category=JPB
Category=NHK
COP=United States
Crime
criminal
Delivery_Delivery within 10-20 working days
dictator
dictatorship
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
firearm
Format=BC
Format_Paperback
global
government
guns
homicide
hugo chavez
international
Journalism
journalist
killing
Language_English
law enforcement
leader
legal issues
murder
nicolas maduro
PA=Available
Populism
president
press
Price_€20 to €50
PS=Active
rehabilitation
research
scholarly
security
softlaunch
south america
Venezuela
Violence

Product details

  • ISBN 9780226633732
  • Format: Paperback
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Jul 2019
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Ch vez, who died in 2013, downplayed the extent of violent crime and emphasized rehabilitation. His successor, President Nicol s Maduro, has taken the opposite approach, declaring an all-out war on crime instead. What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls "the will to security." Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how media shaped the politics of security from the ground up. Paradoxically, Venezuela's punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this seeming contradiction by exploring the circulation of extra-legal denuncias ("accusations") by crime journalists, editors, sources, and audiences. Denuncias are public shamings, which, instead of targeting individuals, channel popular anger against the perceived failures of ruling governments. A well-timed denuncia has the power to topple regimes and create the conditions of possibility for revolution. Deadline is a carefully woven story about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Robert Samet is assistant professor of anthropology at Union College in New York.