Deadpan

Regular price €31.99
A01=Tina Post
Aesthetics
affect
Age Group_Uncategorized
Age Group_Uncategorized
Anthropomorphism
Author_Tina Post
automatic-update
Awayness
Blackness
Category1=Non-Fiction
Category=AFKP
Category=HBTB
Category=JBSL1
Category=JFSL3
Category=NHTB
COP=United States
Deadpan
Delivery_Delivery within 10-20 working days
Empiricism
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Excess
Facade
Fugitivity
gesture
Indestructability
Inexpression
Insentience
Keaton
Language_English
Looming
McQueen
Minimalism
Minstrel
Modernity
Monochrome
Objecthood
Obscurity
Opacity
PA=Available
performance
Portraiture
Price_€20 to €50
PS=Active
resistance
Respectability
Riddle
Sheerness
softlaunch
Specimen
Stereotype
Subjectivity
Theatrical
Threat
Transparency
visuality

Product details

  • ISBN 9781479811212
  • Weight: 440g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Jan 2023
  • Publisher: New York University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Winner of the 2023 National Book Critics Circle Award for Criticism
Winner of the 2023 ASAP Book Prize, given by the Association for the Study of the Arts of the Present

Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production
Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a vaudeville term meaning "dead face"—across literature, theater, visual and performance art, and the performance of self in everyday life.
Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production.
Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.

Tina Post is Assistant Professor in the Department of English at the University of Chicago.