Death in American Texts and Performances

Regular price €68.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Mark Pizzato
Act III
American cultural criticism
Arendt's Political Theory
Arendt’s Political Theory
Asian American Cultural Production
Asian American Literature
Atm Machine
auburn
Author_Mark Pizzato
beauty
Brave Orchid
bronfen
Category=DS
Category=DSBH
Common Symbolic Space
Dark Root
david
dead
Dense
elisabeth
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Feathered Serpent
Gate's Ajar
George Stubbs
Grover's Corners
Grover’s Corners
lillo
Lisbon Girls
literary trauma theory
memory and embodiment
Morrison's Work
Morrison’s Work
National Suicide Day
noise
Pancho Villa
Perfect English
performance studies
reanimated
Reanimated Dead
representation of death in literature
spectral analysis
Tai Chi
thanatology
Tragic Flaws
University Of Wisconsin
Virgin Suicides
white
White Law
Young Man

Product details

  • ISBN 9781138262225
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
How do twentieth and twenty-first century artists bring forth the powerful reality of death when it exists in memory and lived experience as something that happens only to others? Death in American Texts and Performances takes up this question to explore the modern and postmodern aesthetics of death. Working between and across genres, the contributors examine literary texts and performance media, including Robert Lowell's For the Union Dead, Luis Valdez' Dark Root of a Scream, Amiri Baraka's Dutchman, Thornton Wilder's Our Town, John Edgar Wideman's The Cattle Killing, Toni Morrison's Sula and Song of Solomon, Don DeLillo's White Noise and Falling Man, and HBO's Six Feet Under. As the contributors struggle to convey the artist's crisis of representation, they often locate the dilemma in the gap between artifice and nature, where loss is performed and where re-membering is sometimes literally reenacted through the bodily gesture. While artists confront the impossibility of total recovery or transformation, so must the contributors explore the gulf between real corpses and their literary or performative reconstructions. Ultimately, the volume shows both artist and critic grappling with the dilemma of showing how the aesthetics of death as absence is made meaningful in and by language.
Lisa Perdigao is Associate Professor of English at the Florida Institute of Technology and Mark Pizzato is Professor of Theatre and Film at UNC-Charlotte, and Mark Pizzato is associate professor of Theatre and Film in the Department of Dance and Theatre at University of North Carolina, Charlotte, USA.

More from this author